Teodor Axentowicz, LIRNIK

37,8 x 27,3cm - oil, canvas

signed l.d.: T. Axentowicz

On the reverse, on all the slats of the loom stamps of Rosa Aleksandrowicz's paper warehouse in Cracow; also on the g. numbers (in pencil, in blue crayon): 600, 2952; on the right stamp with a number referring to the size of the subpainting: 37; on the left a sticker of the Doyle auction house, below (in pencil): surcharged 50-.

Provenance: collection of the Paskowski Family in the USA.

Dr. Richard and Catherine Paskowski were both born in New York as children of Polish immigrants. Although they lived in the United States, they cherished their Polish heritage, traveled throughout Poland and spent years amassing a fine collection of Polish art. They made many donations to Polish causes in the US. They also wanted the remainder of the collection to come back to Poland and please Polish collectors.

* Border VAT of 8% will be added to the Purchase Price (according to §12 item 2 of the Regulations).

♦ The object brought to Poland on a temporary clearance basis, will be released to the purchaser after the completion of the clearance and release of the object to the market.

Teodor Axentowicz (Brasov in Transylvania 1859 - Krakow 1938) - painter, pastelist, lithographer - was one of the most famous and respected Polish painters. He studied at the Academy of Fine Arts in Munich under Gabriel Hackl, Alexander Wagner, Gyula Benczúr. He completed his studies in Paris, where he then stayed for several years. He participated in the Paris Salons; in 1890 he received membership in the Société Nationale des Beaux-Arts. During this time, he also made numerous trips to London. In 1895 he returned to Poland and settled permanently in Cracow, appointed professor at the School of Fine Arts there (from 1900 the Academy). He taught there continuously until 1934, serving twice as rector (1910-11 and 1927-28). He was one of the founding members of the Society of Polish Artists "Art", a member of the Vienna "Secession" and a contributor to its magazine "Ver Sacrum". He was especially successful with idealized images of refined ladies and graceful children's portraits. He also painted genre paintings; he was one of the first painters of the Hutsul region and the Hutsul people. He created historical paintings and symbolic compositions related to the passage of time, transience and old age. In his early, Munich period, these were paintings maintained in the spirit of academic realism; his later work was influenced by 18th century English painting and the works of contemporary painters - Boldoni, Whistler, Sargent. His paintings are characterized by decorativeness, elegance, the freshness of a subtle range of colors and delicate Art Nouveau styling. Initially he painted in oil and watercolor, and after 1890 he primarily mastered the pastel technique. He was involved in illustration and lithography, and designed posters for "Art" exhibitions.