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Katsushika Hokusai (1760-1849), Poem Funya no Asayasu, from the series One Hundred Poems by One Hundred Poets Explained by the Guardian, published by Oedo Mokuhansha, Japan, after 1960.

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color woodcut, ink, paper, 27x40.5 cm, artist's signature, publisher's mark in margin, minor foxing spots

"One Hundred Poems of a Hundred Poets Explained by a Nurse " is a collection of poetry published by Eijudo around 1835-6. Although Hokusai intended to produce a complete set of 100 designs, only 27 are known, along with sketches and drawings for others. The poem Bunya no Asayasu compares dewdrops to jewels scattered over fields. Hokusai's design depicts five temple boys collecting lotus leaves. Scattered on the leaves are white drops of dew or water.

Hokusai Katsushika, mostly known by the name Hokusai (born October 31, 1760 in Edo (now Tokyo), died May 10, 1849 there) - one of Japan's most prominent and prolific painters and creators of color woodcuts in the ukiyo-e style. The name Katsushika Hokusai is known worldwide, but it was a pseudonym that the artist used instead of his real name, which was Kawamura Tetsuzo. When signing works, he used many (at least thirty) pseudonyms, including Shunrō, Sōri, Taito, Manji. Although it is unclear why he changed his name, some researchers believe it was to test his talent and increase sales.

From an early age, Hokusai had a passion for drawing. He studied at the studio of Katsukawa Shunsho. He became known as an extremely prolific artist, a great draughtsman, landscape artist, illustrator and caricaturist. In his paintings, usually populated with a multitude of figures, he recreated Japan of the time. Among other things, he painted flowers, turtles, pheasants, roosters, one hundred poems, bridges and cascades. Persuaded by his students, he published 15 volumes of sketches and drawings entitled Manga (1814). His works had a profound influence on European Impressionists such as Claude Monet and others. His best-known work is a series of ukiyo-e woodcuts titled 36 Views of Mount Fuji, which was created between 1826 and 1833 during the Taito period. In addition to paintings and drawings, he created illustrations for more than 500 books, some of which he wrote himself. Around 1820, when Katsushika Hokusai was over 60 years old, he took the name Iitsu. Around 1830 he published a timeless woodcut masterpiece, "Thirty-six Views of Mount Fuji." The series originally consisted of 36 prints, as the title suggests. However, it was so well received that 10 more woodcuts were later added. These exquisite works depict the power and majesty of nature, while showing man's place in relation to the world around him. Hokusai died at the age of 90, which was considered an exceptionally long life in his time. He was engaged in artistic creation until the end. It is said that he created as many as 30,000 works during his lifetime. The impact of Hokusai's works was so significant on world culture that his name was included in a list of "The LIFE Millennium" - 100 most important events and people of the last 1,000 years, published in 1988 by American Life magazine.

The ukiyo-e woodcuts have been printed several times since the Edo period, always using the traditional method. Oedo Mokuhansha is a respected Tokyo publisher where, as in many traditional companies, the craft of woodblock printing was passed down from generation to generation. In the 1950s, at a time of revival of interest in ukiyo-e, Mokuhansha reissued Hokusai's works in excellent color and with all the rules of the woodcut art. Each has the publisher's description in the margin.


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