Zbigniew Makowski, COMPOSITION DEDICATED TO BÉLI BARTÓK, 1957

17,3 x 23,7cm - watercolor, gouache, brush ink, paper signed in ink p.d.: á Bartók Béla | Zbigniew Makowski 1957



Provenance:

Collection of art historian Teresa Sowinska (1940-2023), author of many publications and exhibitions, professionally associated with the Warsaw "Zachêta".



The artist was able to encounter the music of Béla Bartók during the Warsaw Autumn International Festival of Contemporary Music in September 1956. The first edition of the festival coincided with October '56 and was one of the most important artistic events of the time, primarily due to its radical departure from socialist realism. The works of, among others, Bartók and other modernist composers, who also dominated subsequent editions of the festival, were recalled then and introduced into the concert repertoire. Another interesting aspect of the work is the reference, probably not coincidental, to the stylistics of Tadeusz Makowski's works.



♣ A fee will be added to the auctioned price, in addition to other costs, based on the right of the artist and his heirs to receive remuneration in accordance with the Act of February 4, 1994 - on Copyright and Related Rights (droit de suite).

Zbigniew Makowski (Warsaw, 31 I 1930 - Warsaw, 19 VIII 2019) studied at the Academy of Fine Arts in Warsaw from 1950 to 1956, receiving his diploma in the studio of Kazimierz Tomorowicz. Initially he leaned towards Surrealism - during his stay in Paris in 1962 he came into contact with André Breton and the international Phases movement. However, the decisive influence on the expression of his art came from the non-painterly interests he pursued. He is literate, poetic, erudite, especially an expert in the broad spectrum of philosophy and secret knowledge of many cultures. He uses this expertise in his paintings, drawings, as well as in unique books, which he makes with his own hands on specially prepared papers. In his works he layers symbols, quotations and meanings into a seemingly unreadable chaos. However, one should believe critics who claim that Makowski's works open up a world of peculiar narrative to the patient and intellectually prepared "reader." In turn, the artist himself draws attention to the "permutation" structure of his works, in which various quotations and cultural references are intertwined with his private iconography. Be that as it may, it is certainly possible to distinguish a certain visual-symbolic "alphabet" in Makowski's works, the elements of which constantly appear in them in various configurations. These include, for example, such images as a key, ladder, well, mandala, chalice, etc. They are surrounded by inscriptions, often in Latin, as well as single numbers, letters and ornaments. Someone described them as rebuses of great beauty, which can be read, and can also be contemplated. Since 1982, the artist stopped exhibiting, but not creating. At that time, works were created that were a kind of modern notebook, started back in the 1960s, to which the artist returns with new thoughts. The artist is the recipient of many awards, including the Norwid Art Criticism Award (1973) and the Jan Cybis Award (1992). His large-scale composition "Mirabilitas secundum diversos modos exire potest a rebus" (1973-1980) adorns the Geneva headquarters of the United Nations as a gift from the Polish government.